Crimson, by Aemong

Crimson

by Aemong

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Limited edition blue cassettes. Environmentally friendly O-card packaging. Premium full-colour print, 300gsm, matt laminated.

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Includes unlimited streaming of Crimson via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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6 remaining

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1.	Lovers Fog 03:20	buy track
2.	Golden Robe 03:57	buy track
3.	Peep 03:36	buy track
4.	Cheering Goes On 01:59	buy track
5.	Strolling in My Town 04:49	buy track
6.	Gulp 02:59	buy track
7.	Some Wishes 04:11	buy track
8.	Tobacco 01:24	buy track
9.	Angel’s Basin 03:58	buy track
10.	Kids 03:32	buy track

about

We at Diskotopia are very excited to announce the sophomore album from no-wave noise-pop duo Aemong, Berlin-based Yu Ching Huang and Henrique Uba, originally from Taiwan and Brazil respectively. Crimson is the follow-up to their 2018 staggering debut album 1000, described by Bleep as “one of the most inventive radioactive techno/coated pop releases of the year.”

On Crimson, Huang and Uba seem more in sync with each other than ever, taking their skewed post-punk, reductionist industrial, and fragmented krautrock sound and immersing it in a more augmented variant of the psychedelic blend of scuzzy electronics and hyperreal obliterated Sherwood-dub that was bubbling under the surface in their first offering.

The boundaries of their singularly-hewed sonic-world have also widened, and the wavering symmetry of more pop-influenced moments and radical experimentation now swings further in each direction. Strolling in My Town sounds like a Pavement cover of a Pet Shop Boys song (albeit produced by Steven Stapleton using Otomo Yoshihide’s mixing desk); whereas Cheering Goes On and Kids are closer to an image of Russell Haswell & Lee Gamble collaborative remixes of Bruce Gilbert records pressed to wax at the wrong speed and then stamped on for three hours. Other tracks on the album, like Lover’s Fog, Golden Robe, and Some Wishes, offer passages and sound pallets that will appeal to a broad range of listeners, including fans of Young Marble Giants, Chrome, Cabaret Voltaire, The Ex, Seiichi Yamamoto, Suicide, Broadcast, and even Afrirampo.

Through the disparate textures and timbres on Crimson, the Aemong duo have once again crafted something altogether alien, yet imitate and emotive at the same time—a compound of feelings that reflects our current world now more than ever.

credits

released October 2, 2020

All tracks written & performed by Yu Ching Huang and Henrique Uba.
Mastered by Guilherme Chiappetta
Artwork by Yu Ching Huang
Special thanks to Dylan Doyle.

license

about

Aemong Berlin, Germany

discography

Crimson

Oct 2020
1000

Mar 2018
Ghost Month

Jul 2016

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